Categories
Cakes The Book

154. Chocolate Sour Cream Frosting p.726


The recipe

As I mentioned yesterday I’m not a huge fan of icing on cakes. As a result, my icing skills suck. I’m far more likely to bake a cake, and sprinkle it with powdered sugar, or cocoa than make icing. If I do decide to top a cake, I prefer to use flavoured whipped cream. I’d probably only make two or three iced cakes before this one, and unfortunately it shows. I have a real incentive to get better, and get better quickly, though. A good friend has asked me to bake his wedding cake in August. That means I need to go on a crash course in icing, piping, and decorating. I’m planning on making one of the wedding cakes from the book for the event, and I’ll have to do a couple of trial runs before the big day. I imagine this cake as the first humiliating defeat in a sports movie, after a musical montage I’ll be churning out lovely confections, then I’ll really dig deep, and defy expectations to turn out a picture perfect wedding cake.

This particular frosting is make with a mixture of mild and semisweet chocolates, sour cream, and vanilla. The chocolate is melted in a double boiler, and the sour cream and vanilla are whisked in.

The frosting starts out very liquidy, and sets up quite firmly. There’s a narrow window when the icing is firm enough to stay on the cake, but soft enough to spread nicely. Since I’m not an experienced froster it took me approximately forever to get the layers covered, and to put on a crumb coating. I didn’t know what a crumb coating was until I read the how to decorate a cake page next to this recipe (p.727). It’s a smart idea, you put a thin layer of icing on the cake to seal in the crumbs before trying to do the pretty exterior layer. By the time I was ready to ice the cake for real, my frosting was setting up. I didn’t really notice, and just started trying to get the frosting on the cake. It was chunky, thick and highly uncooperative. Then I read the little cook’s note after the recipe which suggested just warming it on the double boiler again. This helped a lot, but I had to rewarm it several times over the course of my icing. All in all I did a pretty poor job, and it probably didn’t have very much to do with the frosting itself.

There’s a huge amount of technique in decorating a cake, and I just need more experience to get there. When I first started cooking, I was befuddled by people who could chop things quickly and easily, but I worked at it for a while, learned to hold my knife properly, and started using a rock-chop technique it became obvious. I’m hoping to master the offset spatula in the same way.

The frosting tasted just fine, but it really didn’t move me. It was hardly sweet, which was a nice change from many other icings, but it was a bit too sour cream tangy. A few reviews of this icing suggest that using really top quality chocolate is important. I used perfectly good thank-you-very-much chocolate, but nothing crazy, maybe it would have made a difference.

I liked this frosting more than most, but mostly for the pitfalls it avoided. I found it a bit hard to work with, but if you’re a quick icer the cooling and setting up problems I had might not be an issue. It got the job done, but I won’t rush to make it again.

Categories
Cakes The Book

153. Golden Cake with Chocolate-Sour Cream Frosting p.725


The recipe

This cake and its frosting are separate recipes, so I’ll only be tackling the cake in this post. That’s fine by me. I’m sure I’ve mentioned that I’m not really a frosting person. For me, the icing is just getting in the way of the cake. There are icings I like more (buttercream) and icings I like less (glacé, royal icing, penuche), but they’re never the part of the cake I look forward to, and they can often detract from an otherwise lovely dessert. Thankfully there are enough people who feel exactly the opposite way that a my-icing-for-your-cake trade can sometimes be arranged.

I have very little pastry experience, and my dessert terminology is a little vague. Are the terms frosting and icing interchangable? or do they refer to distinct classes of cake topping? Wikipedia redirects a search for frosting to their icing page, and their dictionary definitions don’t appear to be too different. If any of you know if there’s a difference, please enlighten me.

Even if the frosting doesn’t do much for me tastewise, I do appreciate it’s structural role. A giant layer cake would be nothing without it, and I do love a layer cake. They’re the quintessential birthday cake, big enough to serve a crowd, and they look great with candles stuck in the top. A stacked cake like this can make an occasion. Beyond just admiring it when it comes out, watching the host try to serve it is a spectator sport. Will the first piece come out neatly? Will the layers stay together? Can your host flop a slice onto a serving plate with anything approaching grace? Your aunt is watching her weight, just how thin a slice is it possible to cut? We didn’t put any candles on this particular cake, but it didn’t taste quite right without the little bits of wax melted into the top.

The main difference between this cake and a standard yellow cake is the addition of sour cream. You start by sifting together the dry ingredients, flour, baking power, baking soda, and salt, in a bowl. You then cream the butter and sugar in another, followed by eggs beaten in one at a time, and the vanilla. It’s nice of The Book to provide hand mixer instructions, but the Kitchenaid is sitting there on the counter, and there was no way I wasn’t going to use it. The flour mixture then goes in with alternating additions of sour cream. The batter is divided into two round cake pans, baked, and cooled. When it’s time to assemble the cake, you cut off the rounded top of at least one of the cakes, and then divide each of the cakes into halves. They’re then stacked with icing between the layers, and covered with the rest of the icing.

I was quite pleased with the cake part of this cake, I’ll get to the icing next time, but the cake itself was lovely. Sour cream does good things for baked goods, it keeps them exceptionally moist, and adds just a bit of a tang to counter all the sweetness. It was a fairly dense cake with a soft springy texture. It’s a good choice for a big stacked cake like this, it was easy to cut and serve, and stood up to some rough treatment during icing.

If I was looking for a birthday cake for a casual gathering, I’d happily make this again. It’s a bit of a workhorse of a cake, solid, and reliable. Because I’m not all that competent in the pastry department, those are attributes that really appeal to me. I’m working my way up to precious little confections, but even after I’ve mastered them, I’ll keep coming back to crowd pleasing cakes like this.

Categories
Breakfast and Brunch The Book

144. Coffee Coffee Cake with Espresso Glaze p.644


The recipe

I brought this cake to a brunch at a friend’s last spring. I’m going to have a difficult time giving it a fair rating, because I had horrible seasonal allergies and couldn’t taste anything. I barely remember the brunch, and had to leave after about an hour. My head was so muddled that I’d forgotten my camera, and had to borrow the hosts. He sent me the photos recently, and I’ve been trying to piece this dish back together. The recipe is found in the Breakfast and Brunch section, but it could certainly work for a dinner party.

I should say to anyone reading this that actually attended the brunch, that even though I was feeling awful and sneezing with abandon, I was scrupulous about leaving the room to sneeze, and washing my hands thoroughly before touching your food. I really hate to cook when I’m sick, and definitely worry about contaminating people. I’m not sure how paranoid that actually is though. People who work in restaurants go to work sick all the time, it’s not something we like to think about, but it’s true. If Anthony Bourdain is to be believed they also go to work high, blood splattered, and vomiting, and we’re generally all right. I have a lot of faith in the awesomeness of the human immune system, and the abilities of heat to kill off the nasty stuff that’s gotten into our food. That doesn’t mean I’m willing to take a chance with someone else’s health though.

The recipe followed a fairly standard cake method, mix the dry ingredients, flour, baking powder, baking soda, and salt, in a bowl, then cream butter and sugar in another bowl, add eggs, and vanilla. Then, add the dry ingredients, and sour cream, in alternate batches to the wet ingredients. You then separate 1/3 of the mixture, and add barely dissolved instant espresso to it. You then layer the light and dark batters in a buttered bundt pan and bake for about an hour. Once the cake is unmolded and cooled, you cover it with an espresso glaze made with instant espresso powder, strong brewed coffee (I used a shot of espresso), and confectioners sugar.

I did eat a piece of this cake, but I have no idea what it tasted like. The bitterness of the coffee was the only flavour that managed to cut through the fuzzy sock coating my tongue. Since it’s from The Book, I’m willing to to out on a limb and say that it was probably too sweet. It had a very appealing texture though, moist, with a big fluffly crumb. My dining companion remembers this cake fondly, and it was well received at the brunch. Most of it had disappeared by the time I crawled home to bed. Since people praised it at the time, and brought it up weeks later, it can’t have been bad. The recipe is found in the Breakfast and Brunch section, but it could certainly work for a dinner party. If I didn’t have so many other recipes to get to, I’d make it again, just to find out what it was really like.

I’ll give it an estimated rating of

Categories
Breakfast and Brunch The Book

128. Streusel-Sour Cream Coffee Cakes p.645


Unfortunately there’s no recipe online.

The Book has a deep and abiding affection for streusel-toppings. I suspect that if the cooks at the Gourmet test kitchen leave their batter alone for too long, they’ll find that Ruth Reichl has snuck in and covered it in streusel. I don’t particularly have anything against streusel toppings, they add a nice textural contrast, but they tend to be very sweet. If the underlying baked good didn’t already have 30% more sugar than it needed, that could be a nice addition, but here it struck me as trying to gild the already candied lily.

The recipe starts by blending brown and white sugar with flour, salt, and butter. The streusel topping is made by separating out some of this mixture and working in cinnamon, additional butter, more brown sugar, and chopped pecans. A mixture of sour cream, egg, egg yolk, vanilla, baking soda, and orange zest is incorporated with the remainder of the flour-sugars-butter mixture, then divided up into 18 muffin cups, topped with the streusel, and baked.

There are a lot of things I liked about this recipe, but as is often the case The Book went overboard on the sugar (1 3/4 cups of sugar to 2 1/2 cups of flour). The cakes were rich, dense, and moist, with a soft slightly elastic texture. The orange zest in the cakes was an excellent touch. The topping was double extra sweet, but I really liked the complexity the pecans and molasses in the brown sugar brought to the cakes. I wish that the recipe had less sugar, and more nuts. Keeping the nuts out of the cake batter highlighted them and broke up the uniformity of the muffin. Unfortunately the streusel topping had a habit of falling off. Next time I’d be more careful about pushing the topping down into the batter.

This recipe is found in the Breakfast and Brunch chapter, but these cakes might work better with afternoon coffee, or as a dessert. They were a bit much for breakfast. I brought these over to a pot-luck brunch, to positive reviews, but they didn’t really do it for me. The next day I had one with an unsweetened espresso, and found I liked them much better. The concept and flavours are solid, and the bitter coffee provided some much needed contrast.

Categories
Hors D'Oeuvres & First Courses The Book

122. Smoked Salmon Mousse with Salmon Roe and Crudités p.19


The recipe

I was really looking forward to this recipe, but I didn’t expect to like it at all. I’ve never had a salmon mousse before, and it has a certain reputation. Pop culture uses it to indicate that a character is out of touch, horribly backwards, or disturbingly gross. I suspect many people can’t think of THE SALMON MOUSSE without imagining the grim reaper from Monty Python’s The Meaning of Life. It turns out that salmon mousse became popular enough to earn this iconic status because it’s delicious. Maybe its reputation got dragged down along with the casserole-generation’s jellied hot dog and marshmallow salads.

The mousse is made by folding whipped cream into a purée of smoked and canned salmon, sour cream, and tabasco, with scallions and bloomed gelatin stirred in. The mixture is poured into an oiled mold, whose bottom has been lined with cilantro leaves. The mousse is refrigerated, unmolded, and the base is surrounded with salmon roe.

I was surprised at how much I liked this spread over a cracker. The airy mousse had a great consistency. I was worried it would end up gummy and jellied, but the gelatin just barely set it, leaving it soft and smooth. The smoked salmon was the backbone of flavour in this dish, The canned salmon kind of disappeared. The salmons flavour was intense enough that it could stand being diluted in the whipped cream. In a happy accident I quadrupled the tabasco (1 tsp instead of 1/4 tsp), which added some needed punch, and helped to counter the richness. The cilantro leaves were pretty, but I didn’t really think they added anything. If you’re going to top the mousse with cilantro, then it should have some cilantro flavour. Next time I’d chop some up and stir it in. The salmon roe had mixed reactions from the crowd I served this to. It was incredibly intense, and added a burst of salmon essence to the mousse, but some people felt it was a bit much. I enjoyed the roe, and would use it again.

This kind of dish has been out of fashion for a long time, but it’s definitely ready for a comeback. The molecular gastronomy (or whatever you want to call it) set are making savoury gels of everything they can get their hands on, and the food fashion conscious are eating it up. Maybe you can reintroduce the salmon mousse by claiming that your salmon are organic, and telling people you set it with agar agar. Sure it’s whipped fish Jello, but it tastes great, and it’s weirdly elegant. I love that this dish could fit in at a regency banquet, at an “I Like Ike” booster, or as an experiment in geometry from the people behind Ideas in Food.

Categories
Fruit Desserts The Book

109. Strawberry Shortcake p.813

The recipe is a variation on this one from epicurious. The main difference is that the linked recipe uses buttermilk biscuits, while The Book calls for the cream biscuits I wrote about the other day.

It starts with three pints of strawberries, hulled and quartered. This is the kind of recipe instruction that I consistently underestimate. I figure this job will take in around 5 minutes, but it’s really more like 20. I’m a chronic under-estimator of time in all areas of life, so I don’t foresee this changing any time soon. Once the strawberries are quartered they’re mixed with sugar, and lightly mashed with a potato masher. The idea is to get them to release their juices without destroying them. I managed to squish out a good deal of juice without breaking more than a few of them. The strawberries are then left to macerate for an hour on the counter.

When the strawberries are swimming in their own juices it’s time to whip the creams. Heavy cream and sour cream are beaten together with some confectioner’s sugar to the soft peak stage. Then the shortcakes are assembled.

The word cake has a specific and circumscribed definition, a biscuit casually topped with whipped cream and fruit doesn’t really fit it. If the biscuits were covered in whipped cream, decoratively layered with strawberries and allowed to set up in the fridge for a while, I’d buy the argument that these are individual serving cakes. As the recipe reads this is no more a cake than a meatloaf sandwich is a hamburger.

Still, this did taste pretty darn good, and it reeked of summer. Our strawberry shortcake growing up had a very similarly textured cake, but it was a large layered affair cut into slices. I fondly remember the adventure of trying to get the slices out in one piece, and the hilarity of mom’s face as strawberries and cream plummeted toward the dining room rug. I missed that in these neat little biscuits, but as I value the carpet in my dining room maybe it’s a compromise I can live with.

As with all deserts in the book, it was too sweet. I even cut back on the recommended amount of sugar on the strawberries because they were naturally sweet and perfectly ripe. 1/3 of a cup was way too much, I should have gone with a couple of tablespoons. The extra sugar helps to pull juice out of the fruit, but it was a bit much. I really liked the sour cream tang in with the whipped cream, which acted as a nice counterpoint to all the sugar on the berries. It worked in the same way the sweet acidity of good balsamic goes with strawberries.

As I said the other day, the biscuits were a great base for this dish. The whipped creams were a winner, and you can’t go wrong with summer fresh strawberries. The Book tried to mess with the perfection of July berries, and ended up taking away from their natural goodness. Summer just wouldn’t be summer without strawberry shortcake, and this version was certainly good enough to fulfill my seasonal need.

Categories
Fish and Shellfish The Book

86. Roasted Striped Bass with Chive and Sour Cream Sauce p.305


The recipe. The Book doesn’t call for garlic chive sprouts though.

Finally fish! That one lonely fish dish has been an embarrassment for too long. I hated looking at the stats page and seeing the Fish and Shellfish section averaging just one mushroom. This was a much better dish, and I’m delighted to add it.

The recipe calls for striped bass, but salmon was one of the alternatives, and it was looking much nicer that day. The recipe is very simple and elegant. The fish is started in a skillet on the stove- top skin side down, then transferred to the oven to finish up. The recipe calls for moving the fish from the pan to a baking dish, but I just moved my cast iron skillet into the oven. Once the fish is nicely roasted it’s topped with a puree of sour cream, water, lemon juice, and chives. A sprinkling of minced chives, and a splash of lemon juice finish the dish.

The fish was prepared very simply, which let it show off it’s natural flavour. The sauce was a great compliment to the fish that managed to counterpoint the fish’s flavours without overpowering. I really like the sea foam green shade the sauce turned out. It was creamy smooth with onion accents and clear punch of lemon. I thought it worked particularly well with a meatier fish like salmon, cutting through the oiliness it can sometimes take on.

This made a cool, light, refreshing meal that managed to convey a casual elegance, delicious but understated. It’s the kind of dish I’d expect to see on the lunch menu at a country club. It came out near perfectly, and allowed for a great deal of flexibility in choosing the fish. It’s rare to find a creamy sauce that makes a dish seem lighter, more rare still is one that shows off the fish without trying to hid a thing.

Categories
Beef, Veal, Pork, and Lamb The Book

77. Twenty-First-Century Beef Wellington p.418

The recipe

There’s not much left to say about this dish. I’ve described it pretty thoroughly in the posts for Cilantro Walnut Filling and the Sour Cream Pastry Dough . Those two recipes are the main ingredients for the final Beef Wellington recipe. A nice big beef tenderloin seasoned with salt and pepper is thoroughly browned, covered in the cilantro walnut filling, and then wrapped up in the sour cream pastry dough. The dough is decorated with cut out bits of pastry, given an egg wash, then the whole thing is baked.

As I said in their respective posts, the dough was a real winner, while the filling was just OK on it’s own, and very out of place in a beef wellington. I mildly overcooked the tenderloin but it was still excellent. Filet mignion and a perfectly baked crust were more than enough to make up for the filling. The final dish was tasty, but I really missed the mushroom of the traditional Wellington. I could live without the big slice of pâté though.

Beef tenderloin can be a real hit to the wallet, at higher end butcher shops a whole tenderloin sells for close to $100, which is really not in line with my financial reality. I managed to find a commercial cut tenderloin (PSMO) for one third the price. It was good quality meat (not organic, local, or in any way fancy, but perfectly nice), but it required a little bit of work on my part. A commercial cut tenderloin comes with a good deal of silver skin to be removed, as well as an extra little side muscle best used for something else. I can’t say that peeling off silver skin is much fun, but it’s absolutely worth doing for the price difference.

This updated beef Wellington didn’t really improve on the original, and other than having beef in a pastry had very little in common with beef Wellington. The pastry and beef were top notch, while the filling was somewhat lacking. I would use this recipe again, but I’d go back to a more traditional filling. I don’t regret making it, but I’m not itching to have the twenty-first century version again.

Categories
Beef, Veal, Pork, and Lamb The Book

75. Sour Cream Pastry Dough p.419

The recipe

This is the crust for Twenty-First Century Beef Wellington. It’s folded over a browned beef tenderloin, covered in Cilantro Walnut Filling, and baked. It’s a very simple dough, made with flour, butter, sour cream and a dash of salt. It’s brought together, then smeared to distribute the fat, and chilled for a couple of hours before rolling.

The dough was exceptionally strong before baking, it put up with a lot of folding, and pinching, and crimping, without tearing or stretching out too much. It rolled out easily, and stood up to the fillings during baking. Between the filling and the meat juices this dough was asked to encase a lot of liquid, and it did an admirable job. Not a drop leaked out, and the bottom of the crust remained crisp.

The final texture was flaky on the outside, and rich and moist on the inside. The sour cream gave it a bit of a bite, which I really appreciated. I was thoroughly impressed with how beautifully it browned up. The central problem of beef wellington is arranging things so that the pastry is nicely browned at the same time as the meat is medium rare. I took the wellington out when the beef was done, and just hoped for the best on the crust. As it happens I turned my back for a bit too long and ended up closer to medium than medium rare on the beef, but the crust was absolutely perfect.

The crust was probably my favorite part of the final wellington recipe. It tied the flavours of the meat and filling together, and had a wonderful crisp – tender texture. You could replace the tenderloin and filling with all sorts of things in this recipe. The dough would be great filled with vegetables, or fish. It would also be a delightful dough for a savory pie. Maybe I’ll use it for a tourtiere at Christmas.

Categories
Sandwiches & Pizzas The Book

74. Lemon Coleslaw p.193

The recipe

This coleslaw is meant to be served as part of Shredded Pork and Lemon Coelsaw Sandwiches (p.192). I made the slaw on it’s own though. This dish is found in the Sandwiches and Pizzas section of The Book, and this is the first recipe I’ve done from that section. So, let’s open Sandwiches and Pizzas with a coleslaw.

It was a very light, cooling, and fresh slaw. It wasn’t weighed down by a gallon of dressing, and the lemon flavours made the whole dish taste bright and clear. On the other hand, the cabbage retained all of it’s crispness. I like crunchy cabbage in a slaw, but this was going a little too far. My jaw hurt from the effort.

The dish is as simple as you could ask for. Whisk together a bit of sour cream, mayo, lemon zest and juice, water, sugar, salt, and pepper. Stir in sliced cabbage, grated carrots, scallions, and parsley. Let the whole thing sit in the fridge for an hour and serve. The hour in the fridge is supposed to give the sugar and salt in the dressing time to draw moisture out of the veg and wilt them a bit. But, after an hour the cabbage was just a tough as ever.

I sliced my cabbage as thinly as I could with a chef’s knife, and ended up with good looking pieces of cabbage. Maybe I sliced it too thickly for the one hour to be sufficient. If I’d used a mandolin to get narrower slices things might have worked out better. Alternately more time would have done the trick. I had some leftovers the next day for lunch and the texture was much better. Some of the freshness of the lemon had faded, but the whole salad had mellowed, and the cabbage still had a crisp bite without causing jaw cramps.

There were a lot of things to like about this slaw, but it needs some refinements. If I were to make it again I’d toss the dressing on to the sliced cabbage the night before, then add the carrots, scallions, parsley and a little refreshing squeeze of lemon an hour before I wanted to serve it. The flavours are really clean, but a bit unidimensional. If I were to make it again I’d add some sliced fennel into the mix. I really appreciated that the recipe allowed the cabbage to be front and centre. So many slaws are downed with goopy dressings in an attempt to hide the fact that you might be eating cabbage, so this was a refreshing change.